Tuesday Night Figure Drawing

20 minute pose, 18×24 charcoal on newsprint. I made some progress toward making the hair look better. Focusing on it as a mass, and even getting in some highlights on this one.

This model has a pretty intense shoulder girdle, there were several poses where it looked out of balance because slight movements really pushed one shoulder way up or down. Good clavicle practice, exceedingly pronounced, trying to make them look right without being too stark was a challenge.

Same model as the starkly-lit back shot from a couple weeks back.

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20 minute pose, 18×24 charcoal on bristol. I was not focused at all last night, and I drew a couple tough angles (I actually had to move to get this angle) because the class is still pretty full.

In addition to my first decent foot, I also did a couple not-atrocious faces and again the hair as a volume. Still need to get my head proportions correct, but I’m pretty stoked with the leg proportions (I actually remembered to follow gesture/structure/anatomy there!).

Tuesday Night Figure Drawing

This week’s work on Karl Gnass’ lessons at NMA REALLY paying off. I’m actually happy with my improvement here!

10 minute pose, charcoal on newsprint 18×24.

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She’s only been modeling a couple months but she’s really good. I feel I captured this pose well. We had some good melancholy tunes playing and she just kind of drifted off in thought.

I was actually cool with this piece at 10 minutes, it was even more ethereal. I may go back and soften it up a bit more.

20 minute pose, charcoal on bristol 18×24.

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Sketchbook Digest

So I’ve been lax in doing sketchbook updates. It’s been slower than December, but even these aren’t all the work I’ve done in the sketchbook. Lots of Steve Huston’s book moving into Loomis heads and currently working on some Gnass lessons from NMA.

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Tuesday Night Figure Drawing

This model had an amazing shoulder girdle. Great clavicles, scapulas, the whole thing was just so well defined. I wasn’t drawing great, so for the last 15 minutes I had the instructor move the light to rake across her back and just did a straight tonal study.

She ended up kinda manly, mostly because I didn’t have time to work on the shadow side at all and it got broad on top.

But I do kinda like this one, imperfect as it is!

Charcoal on charcoal-toned bristol, 18×24.

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Tuesday Night Figure Drawing

Worked on a charcoal-toned paper, which was nice. As it was with still life, I struggle to finish a drawing in the allotted time, but I’m becoming more comfortable with where to prioritize. Not very stoked with any of the drawings this week, and my gestures were crap. However, still getting in good practice and trying new things. Overall a win, since a decent finished drawing is only a bonus (posting rough unfinished stuff never gets easier!).

Both of these are the usual charcoal on a charcoal-toned bristol paper, 18×24.

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Figure Drawing

I drew along with Proko from youtube for my work break sketching yesterday, and it paid huge dividends in class last night. Still a long way to go, but it’s very rewarding to overcome obstacles like that. I think I’m finding a happy medium between my mind’s eye for gesture and the way my instructors want it done.

2 minute gestures. Did a few pages of these to warm up. Model was the same as Sunday, so that was cool. Charcoal on newsprint, 18×24.

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10 minute study. Sanguine conte on newsprint, 18×24.

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20 minute study. Charcoal on bristol paper, 18×24.

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I switched up from Conte sticks to pencils (sharpened with the long taper), using the overhand grip I had been working on with the stick. It was initially awkward last year when I tried it, but the intervening practicing has made it feel much more natural. Fine linework is still tough, but the bigger stuff is much easier with that grip. Really happy I’ve been making the effort to develop it!

Also spent some time teaching other students how to sharpen pencils properly. I got a kick out of that!

Sketchbook Digest

Another slim sketchbook week due to classes. I kind of took a class on Sunday, too. Sat in on a figure painting class and did gesture drawings. Since there was only one pose, I ended up sketching the students a lot. Here’s a sample of that, I did a bunch of pages like this. Gestures ranging from 20 seconds to 2 minutes (but mostly 30 seconds to a minute), charcoal on newsprint 18×24. Also a head study at the end of the session, about 15 minutes (same media).

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In the sketchbooks, another page of study from Huston’s book, graphite on paper 9×12. Still working on my Simone Bianchi Ororo copy in the small sketchbook…getting bogged down in the hair details, blah.

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Figure Drawing

Last night was my first figure drawing class. I last took figure drawing in 1984, and it felt like I was right back there…except that was a horrible experience that has lurked around in my brain ever since. So I took a step back, used the skills I acquired over the last year and pushed through the doubt and negativity, so I could begin to learn.

I was struggling with my linework as usual, and got a bad angle for the first 10 minute pose. I decided to play around with some tone, and struck on the way to navigate this difficult subject…I should fall back on my strengths, developing form with values.

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Things got a lot more enjoyable, though obviously this is just the beginning and I have a looooong way to go, and so much more to learn. But at least I found a way to make it fun!

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